Eurofound's EU PolicyWatch collates information on the responses of government and social partners to the COVID-19 crisis, the war in Ukraine, rising inflation, as well as gathering examples of company practices aimed at mitigating the social and economic impacts.
Factsheet for measure NL-2020-27/1547 – measures in Netherlands
Country | Netherlands , applies nationwide |
Time period | Open ended, started on 01 July 2020 |
Context | COVID-19 |
Type | Company practices |
Category |
Reorientation of business activities
– Change of production/Innovation |
Author | Amber van der Graaf (Panteia) |
Measure added | 02 December 2020 (updated 28 January 2021) |
The Large than Live project is the brainchild of festival director Ide Koffman at the enterprise MOJO, which organises large festivals and concerts. As a festival director during the COVID-19 crisis, his work and that of many of his peers and colleagues in the leisure and culture sectors came to a complete standstill. Due to the COVID-19 crisis hosting usual events, with thousands of visitors at festivals or concerts was no longer a viable business activity; the numbers of visitors do not come close to covering the investment required for such activities.
Mr. Koffman felt that especially during the crisis, people would be in need of distraction and entertainment.
MOJO’s festival director therefore shifted the delivery of the enterprise’s activities to be online. Mr Koffman adjusted his entrepreneurial activities and came up with a live steam concept for bands and musicians to be able to perform. Live concerts are organised and visitors buy tickets to stream the concert from their mobile phone, laptop or other personal device. Though this is perhaps not overly revolutionary as a concept indicates Mr. Koffman, the quality of the service they deliver; the sound and imagery need to be very good. Furthermore, the active involvement of home viewers is what sets Larger than Live apart. Artists engage with the viewers at home, speaking to them, playing to them, so that there is an interaction between visitors and performers, and not just passively staring at a screen. The idea had been circulating at MOJO before the crisis already, but gained momentum and received time and consideration during the crisis out of necessity.
No information.
Workers | Businesses | Citizens |
---|---|---|
Does not apply to workers |
Solo-self-employed
Sector specific set of companies One person or microenterprises |
Does not apply to citizens |
Actors | Funding |
---|---|
Company / Companies
|
No special funding required
|
Social partners' role in designing the measure and form of involvement:
Trade unions | Employers' organisations | |
---|---|---|
Role | No involvement | No involvement |
Form | Not applicable | Not applicable |
Social partners' role in the implementation, monitoring and assessment phase:
This was a company initiative and as such no social partners were directly involved in developing this measure.
This was a company initiative and as such no social partners were directly involved in developing this measure.
This case is sector-specific (only private sector)
Economic area | Sector (NACE level 2) |
---|---|
J - Information And Communication | J59 Motion picture, video and television programme production, sound recording and music publishing activities |
J60 Programming and broadcasting activities | |
R - Arts, Entertainment And Recreation | R90 Creative, arts and entertainment activities |
R93 Sports activities and amusement and recreation activities |
This case is not occupation-specific.
Citation
Eurofound (2020), Larger than Live: Delivery of online live concerts, measure NL-2020-27/1547 (measures in Netherlands), EU PolicyWatch, Dublin, https://static.eurofound.europa.eu/covid19db/cases/NL-2020-27_1547.html
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